On Stage: American Son
Kerry Washington gives the performance of the season in American Son, the high-voltage, suspenseful drama, now on Broadway through January 27 only.
American Son is a riveting story about who we are as a nation, and how we deal with family relationships, love, loss, and identity. As the Today Show says, “it is a gripping, beautiful, beautiful play.”
New York Times Critic’s Pick
“Kerry Washington gives a great performance. This is director Kenny Leon’s best work, with high tension on every level.” - The New York Times
“A breathtaking Broadway play.” - Entertainment Weekly
“It elicits gasps from the audience.” - NY1
“Pow! American Son is a hot ticket lighting up the theater! Kerry Washington’s fiery performance will leave you dazed. A profound and unforgettable play on the pulse of now. It challenges the mind, leaves the audience visibly moved, and enhances the Broadway season. The audience is transfixed. The cast is great. Steven Pasquale is thrilling. Jeremy Jordan is excellent. Eugene Lee is forceful and dynamic.” - The Observer
Coming Soon: Gary: A Sequel to Titus Andronicus
GARY: A SEQUEL TO TITUS ANDRONICUS
Three-time Tony Award winner Nathan Lane and two-time Tony Award winner Andrea Martin will star this season on Broadway in the world premiere of, Gary: A Sequel to Titus Andronicus, the new comedy by Pulitzer Prize finalist and MacArthur Fellow, Taylor Mac. Directed by five-time Tony Award winner George C. Wolfe, Gary is set just after the blood-soaked conclusion of William Shakespeare’s first tragedy, Titus Andronicus.
In Gary, Taylor Mac’s singular world view intersects with Shakespeare’s first tragedy, Titus Andronicus. In Mac’s extraordinary new play, set during the fall of the Roman Empire, the years of bloody battles are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants – Nathan Lane and Andrea Martin – are charged with cleaning up the bodies. It’s only 400 B.C. – but it feels like the end of the world.
Gary: A Sequel to Titus Andronicus Broadway Tickets | Gary: A Sequel to Titus Andronicus Broadway Show Schedule
Lee Shubert built the Booth Theatre in partnership with the producer Winthrop Ames. Named for the actor Edwin Booth (1833-1893), brother to the infamous John Wilkes Booth, the venue was actually the second New York theatre to bear this name. The first was built by Booth himself in 1869 on 23rd Street and 6th Avenue. Ames’s father had been devoted to preserving the actor’s legacy, so Winthrop’s decision to name this theatre after Booth honored not only the actor, but connected his own family’s interest with the actor’s rich theatrical history. Ames intended to present the most challenging and prestigious productions possible here.
The Booth was designed by Henry Herts to be one of a pair of playhouses: the Booth and the Shubert Theatres abut each other along Shubert Alley in one seamless unit. Styled with “restrained classicism,” the Booth is the smaller, less extravagant of the two houses. The sgraffito that adorns the exterior of both theaters is the last known surviving example in New York of this once popular decorating technique. Ames had an extensive knowledge of the architecture and technical advances of contemporary European theatres and modeled his theatre and productions after them.
Theatre is not completely wheelchair accessible.
Shubert Audience Services
The Booth Theatre provides at least 10 infrared assistive listening devices for every performance at the theatre. Beginning 4 weeks after a show’s official opening night performance, at least 10 audio description devices are available for every performance at the theatre. In addition, there is unlimited access to downloadable audio description software for personal mobile devices, available beginning 4 weeks after a show’s official opening night performance, which provides an automated detailed account of the visual of the production, free of charge, for blind or partially sighted patrons. The theatre also offers hand-held devices and software that provide captioning for deaf or hard of hearing patrons, available beginning 4 weeks after a show’s official opening night performance. Additional devices can be available with at least 24 hours’ notice by contacting Shubert Audience Services at 212-944-3700 or firstname.lastname@example.org. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with the audio description devices, software, or captioning devices.
Accessibility by Seating Section
Orchestra: Seating is accessible to all parts of the Orchestra without steps. Wheelchair seating is located in the Orchestra only.
Mezzanine (second level): 2 flights of stairs (up 31 steps). Please note, once on the Mezzanine Level there are approximately 2 steps up/down per row. Entrance to Mezzanine is behind Row H.
Handrails: Available at the end of every stepped seat row in the Mezzanine.
Located in lobby. Accessible at 54".
Wheelchair accessible restroom available.
Located in concessions lobby. Accessible at 36".
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities. Children under the age of four years will not be admitted. No outside food or beverage permitted, unless medically necessary. No weapons permitted on the premises.